Holofractal music on stage: experiments of semiotic transduction of holonomic notions in performatic art

Abstract

This article presents the doctoral research on some semiotic transduction experiments of contemporary notions of physics -especially those from the holonomic theory, chaos theory and fractal geometry, such as atemporality, acausality, unpredictability, multidimensionality and others- into performance art processes involving music, dance, theater, video, etc. based on the use, in varying degrees, of new digital interactive technologies. The main outcome is the qualitative confirmation that an emphasis on firstnesses and secondnesses of intersemiotic translations in such experiments reinforced affective aspects in their perception, in the opinion of the participants: artists and audience.

(Complete article in portuguese language).