Sound design and genealogy of its unrequitable materiality
DOI:
https://doi.org/10.18861/ic.2015.10.10.2583Keywords:
Sound, design, phisicality, sound object, sound design, toneAbstract
Most theories of design agree that we can speak of design when there is a material result, an object that is designed. Therefore, Sound could not be considered as design since it is not subjected to manipulations like a thing. This paper proposes a revision of these notions from a point of view that understands sound as a material that is not considered as a thing, and by these means responding to all characteristics proposed by main theories.
Materiality in sound begins with music through timbre explorations, and from that point we arrive to XX Century several propositions that are extended to the sound design field, in particular, the in the audiovisual domain.
(Complete article in spanish language).
Downloads
References
AA.VV. (1999). Ouïr, entendre, écouter, comprendre après Schaeffer. Paris: Buchet Castel.
Adorno, Th. (2003). Filosofía de la nueva música (obra completa, volumen 12). Barcelona: Akal.
Chion, M. (2000). El sonido. Barcelona: Paidós.
Chion, M. (2000). L’Art des Sons Fixés (traducción española por Carmen Pardo: El arte de los sonidos fijados). La Mancha: Universidad de Castilla.
Chion, M. (1993). La audiovisión. Barcelona: Paidós.
Chion, M. (1985). Le son au cinéma. París: Cahiers du cinéma/Editions de l’etoile.
Kröpfl, F. (julio de 2005). La situación del oyente. Revista Encrucijadas, nro. 33, UBA.
Schaeffer, P. (1966). Tratado de los objetos musicales. Madrid: Alianza.
Scruton, R. (1997). The Aesthetics of Music. Oxford: Clarendon Press.
Strawson, P. F. (1989). Individuals (Traducción española por Alfonso García Suárez: Individuos). Londres: Routledge. Madrid: Taurus.
